Throwing stones

This post appeared on Andrew’s Book Club during Short Story Month–May, 2011. I’m reposting (with revision) in June because that’s how slowly this blog moves.

FIRST get your character up a tree. Then throw stones at him.

Who said that first? I’ve been repeating it for years. I’d tattoo it up one arm… … Read more

Love Medicine: some lessons on linked stories

I wrote my own book of linked stories by accident. It started with one story about a girl named Leah, age 11. It was my first short story and took four months to write (not enough time, as it turned out), and took place in the basement of her building in New York City. When… … Read more

People in trouble

My friend Natalie Baszile and I are studying Away, a novel of such narrative thrust that only on reread, pen in one hand and phone in the other, are we starting to understand how complex it is, how many things Amy Bloom is doing at once. We’re not going at this systematically, just passionately. Natalie… … Read more

Perfume of the Page

My mother sometimes phones to read me a line or a passage, often from The New York Times; and when I was a reporter in my twenties, she called to read me enslaved by the scent of lilac. She savored the idea of a passerby bound to a lilac bush by invisible ropes of scent. Enslaved… … Read more

Thick handles swirling by

I’m rereading A Portrait of the Artist as a Young Man, because my brain deletes all critical data on some mysterious schedule. So I just had the great pleasure of remembering (again) that the first chapter is a collection of sensory impressions that alter as Stephen matures. Meaning: as his brain changes neurologically from a… … Read more

Cezanne, Eisenberg, and the question of rape

“Either you see a picture immediately,” Cezanne told the writer Joachim Gasquet, “or you never see it at all.
Explanations don’t help a bit. What good does it do to comment on it? All those things are imperfect, imprecise things. We talk as we do because it’s amusing, like drinking a good bottle of wine.
… … Read more

Reading Cormac through Walker’s telescope

Every writer reads with a split brain, right? One eye for pleasure, the other peering at technique–but with my mental telescope trained right on the sentences, I often miss the big picture and end up with the bulleted list. … Read more

Not Amy Bloom’s snow

Ultimately whatever the character observes will reveal her–sometimes what’s being described is secondary. … Read more